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Lykke Li can’t stay still. Her life and her career are relentlessly pulled forward by an impatient desire to see what’s just around the corner, her music full of ideas about moving on and breaking free. Just 18 months ago she was complaining to her mentor, Bjorn ‘of Peter and John fame’ Yttling, that everything had gone wrong because she was 21 and still hadn’t released an album. Now 22, she’s finding that things are on track. With the release of that album ‘Youth Novels’, already out in Sweden through her own label LL Recordings, she’s been surprised and maybe a little embarrassed to find that the world is falling at her feet. She’s just the kind of person people can’t help falling in love with.
This idea of uncomplicated depth – or, to put it another way, an album completely accessible but also robust enough for repeated listens – is expressed through the layered, multi-instrumental flavour of her music. You’ll hear harpsichords, flutes, and theremins throughout the album but you’ll also hear Lykke Li’s magnificently brittle, candy coated vocals.
Just as her music sometimes seems to have arrived from another planet, Lykke Li is not quite like anyone you’ve met before. Sometimes nervous but exceptionally impatient, she knows she’s almost too fragile for the success that lies ahead, but she’s storming on regardless.